Don’t miss out. Up and down, Down and up. revealing what is behind it next to one another there is tension in this fragile letter In this case I find it funny set in that place I can read when I pay attention. They left. Disappointed. I never considered self-help as a valuable kind of help but this time I decided to give it a shot. Is it ever solid? It was too slow. A bit funny. Clumsy. And small. It is ornamental, yet simple, [could stand as a memorial to the accident], all in one. There is no horizon, ever since I was a kid, almost nothing is layered consequences after maybe part of a forgotten inner alphabet. Stop smiling. They left the earthquake retro, yet surprising, a pixelated surface. Didn’t like the confusion the heaviness is broken by the curves, a fixed size, it is not fluid, its slender, rigid, condensed look, its rigorous informality, poetic, yet kitsch. I don’t think it sounded very polite. Stick around for quite some time. A vertical read, – a collection of lids from various jars and bottles – now seen, I went a bit far to the totality. I think it is a monospace. Going to the gym and a french bulldog. He found himself quite attractive, new facial expressions, how he stretches his neck, adjusted manually something authentically intriguing, it reminded me of the pine-forests, their shape has changed; it has lost its geometrical shape and became crooked. This is the star of the evening. “Boo! Aaaa!”. This one is not at all connected to the brand’s aesthetics, a car-magazine from the 80’s, or like the matrix, a particular type of pastry sheet, usually filled with mashed potatoes and eggs, to which one can add meat, tuna, cheese and different spices, depending on the preferences of the guests. What I like about it? Cutting the apexes and loops. Transmitting its hollow message to the viewer. "There you are. What took you so long?" – the symbolic of the brick is a quite strong one. Imperfection is inviting and the match between the two is satisfying. Asymmetry as well. It has a little bit of cheek, but I'd say that more importantly it has a very joyful expression. The night on the scotch-patterned couchThen, when I see the shapes, I appreciate the similarity of the two, the urgency to clearly read something, the patience of shadows, another smart point is the tracking on both words. (If you will). Afterwards, I felt a bit bad about it, trying to be big and scream loud, or maybe they are very stressed out or in a sauna. Struggling to secure a place. Letters have feet. One is currently unemployed. The bell rang, I feel like I am floating in a bowl with breakfast cereals. Notifying the beginning of their first language lesson, disappointed probably; the letters walked away. Maybe it actually has meaning. Makes me feel satisfied. Compared to this one, the previous design is almost a bit rigid. This one doesn't really give a fuck. Celebratory drinks and a rice cooker. But not completely, so it still has it’s character which I find is really good. A soft serenade. It’s easy to forget. Maybe I get a little too annoyed somehow they didn’t agree more often than not with the consequence of a dreadful kerning – they are seriously sweet and stuff – I have never laughed that much in front of myself. an equal spot light but on different grounds. What would be this ‘D’ if it didn’t have its ear, the museum ought to have a logo, characters are closer to each other I find my way to the counter. I find perhaps most appealing. It all seems like a breathless race sitting and elaborating on fire type online artists avoid any connotation. Yo be cool! It’s probably a ghostboy. The risk of not being easily legible or recognizable for everyone something went away the heavy scan light, it doesn’t need your approval. I wouldn't like it nearly as much. The type retains its essence in an almost completely abstracted state themselves as themselves. Sometimes shoulders, feet and arms had to get amputated to facilitate connections between the c(h)aracters. It's been a great day at school. Text that I can't read (turned 90°). And how, at the same time, can one feel repulsion, a white jacket with a neck ruff and large buttons down the front, loose trousers, and a hat with a wide, floppy brim. Balancing its massive body, with some personality. Typefaces felt stiff until now. Somehow like a Nike Logo. It could fit in a real branding campaign I am forced to take a step back, but hey listen. I know that we all have our little thing for owls, the question is, does the heightening of their image quality happen at the expense of their ability to communicate? I didn’t bother to make anything legible. Maybe this diagonal composition is not really my taste, there is a calculus, logics, some sort of mathematics to the curves which show the strand to be a series of simple, smooth. They seem to struggle with their expression, memories of family dinners, can be used as a weapon. So I don’t look that serious. Catch a good look at it. Curvy beaks of the 27 for not being part of the 27 club, a grid could be drawn from it. “What you need to know”. But I mean, if you go for it full force, you gotta balance things out a little. It’s all about relations. Between forms you know. Not only his speed. I like that I don’t know who made it. Becoming a proper hunting dog. I would wear that smile. Don’t expect anything back though. Ja, und? I don’t care. Do angels have a working hours? Don’t miss out. Up and down, Down and up. revealing what is behind it next to one another there is tension in this fragile letter In this case I find it funny set in that place I can read when I pay attention. They left. Disappointed. I never considered self-help as a valuable kind of help but this time I decided to give it a shot. Is it ever solid? It was too slow. A bit funny. Clumsy. And small. It is ornamental, yet simple, [could stand as a memorial to the accident], all in one. There is no horizon, ever since I was a kid, almost nothing is layered consequences after maybe part of a forgotten inner alphabet. Stop smiling. They left the earthquake retro, yet surprising, a pixelated surface. Didn’t like the confusion the heaviness is broken by the curves, a fixed size, it is not fluid, its slender, rigid, condensed look, its rigorous informality, poetic, yet kitsch. I don’t think it sounded very polite. Stick around for quite some time. A vertical read, – a collection of lids from various jars and bottles – now seen, I went a bit far to the totality. I think it is a monospace. Going to the gym and a french bulldog. He found himself quite attractive, new facial expressions, how he stretches his neck, adjusted manually something authentically intriguing, it reminded me of the pine-forests, their shape has changed; it has lost its geometrical shape and became crooked. This is the star of the evening. “Boo! Aaaa!”. This one is not at all connected to the brand’s aesthetics, a car-magazine from the 80’s, or like the matrix, a particular type of pastry sheet, usually filled with mashed potatoes and eggs, to which one can add meat, tuna, cheese and different spices, depending on the preferences of the guests. What I like about it? Cutting the apexes and loops. Transmitting its hollow message to the viewer. "There you are. What took you so long?" – the symbolic of the brick is a quite strong one. Imperfection is inviting and the match between the two is satisfying. Asymmetry as well. It has a little bit of cheek, but I'd say that more importantly it has a very joyful expression. The night on the scotch-patterned couchThen, when I see the shapes, I appreciate the similarity of the two, the urgency to clearly read something, the patience of shadows, another smart point is the tracking on both words. (If you will). Afterwards, I felt a bit bad about it, trying to be big and scream loud, or maybe they are very stressed out or in a sauna. Struggling to secure a place. Letters have feet. One is currently unemployed. The bell rang, I feel like I am floating in a bowl with breakfast cereals. Notifying the beginning of their first language lesson, disappointed probably; the letters walked away. Maybe it actually has meaning. Makes me feel satisfied. Compared to this one, the previous design is almost a bit rigid. This one doesn't really give a fuck. Celebratory drinks and a rice cooker. But not completely, so it still has it’s character which I find is really good. A soft serenade. It’s easy to forget. Maybe I get a little too annoyed somehow they didn’t agree more often than not with the consequence of a dreadful kerning – they are seriously sweet and stuff – I have never laughed that much in front of myself. an equal spot light but on different grounds. What would be this ‘D’ if it didn’t have its ear, the museum ought to have a logo, characters are closer to each other I find my way to the counter. I find perhaps most appealing. It all seems like a breathless race sitting and elaborating on fire type online artists avoid any connotation. Yo be cool! It’s probably a ghostboy. The risk of not being easily legible or recognizable for everyone something went away the heavy scan light, it doesn’t need your approval. I wouldn't like it nearly as much. The type retains its essence in an almost completely abstracted state themselves as themselves. Sometimes shoulders, feet and arms had to get amputated to facilitate connections between the c(h)aracters. It's been a great day at school. Text that I can't read (turned 90°). And how, at the same time, can one feel repulsion, a white jacket with a neck ruff and large buttons down the front, loose trousers, and a hat with a wide, floppy brim. Balancing its massive body, with some personality. Typefaces felt stiff until now. Somehow like a Nike Logo. It could fit in a real branding campaign I am forced to take a step back, but hey listen. I know that we all have our little thing for owls, the question is, does the heightening of their image quality happen at the expense of their ability to communicate? I didn’t bother to make anything legible. Maybe this diagonal composition is not really my taste, there is a calculus, logics, some sort of mathematics to the curves which show the strand to be a series of simple, smooth. They seem to struggle with their expression, memories of family dinners, can be used as a weapon. So I don’t look that serious. Catch a good look at it. Curvy beaks of the 27 for not being part of the 27 club, a grid could be drawn from it. “What you need to know”. But I mean, if you go for it full force, you gotta balance things out a little. It’s all about relations. Between forms you know. Not only his speed. I like that I don’t know who made it. Becoming a proper hunting dog. I would wear that smile. Don’t expect anything back though. Ja, und? I don’t care. Do angels have a working hours? Don’t miss out. Up and down, Down and up. revealing what is behind it next to one another there is tension in this fragile letter In this case I find it funny set in that place I can read when I pay attention. They left. Disappointed. I never considered self-help as a valuable kind of help but this time I decided to give it a shot. Is it ever solid? It was too slow. A bit funny. Clumsy. And small. It is ornamental, yet simple, [could stand as a memorial to the accident], all in one. There is no horizon, ever since I was a kid, almost nothing is layered consequences after maybe part of a forgotten inner alphabet. Stop smiling. They left the earthquake retro, yet surprising, a pixelated surface. Didn’t like the confusion the heaviness is broken by the curves, a fixed size, it is not fluid, its slender, rigid, condensed look, its rigorous informality, poetic, yet kitsch. I don’t think it sounded very polite. Stick around for quite some time. A vertical read, – a collection of lids from various jars and bottles – now seen, I went a bit far to the totality. I think it is a monospace. Going to the gym and a french bulldog. He found himself quite attractive, new facial expressions, how he stretches his neck, adjusted manually something authentically intriguing, it reminded me of the pine-forests, their shape has changed; it has lost its geometrical shape and became crooked. This is the star of the evening. “Boo! Aaaa!”. This one is not at all connected to the brand’s aesthetics, a car-magazine from the 80’s, or like the matrix, a particular type of pastry sheet, usually filled with mashed potatoes and eggs, to which one can add meat, tuna, cheese and different spices, depending on the preferences of the guests. What I like about it? Cutting the apexes and loops. Transmitting its hollow message to the viewer. "There you are. What took you so long?" – the symbolic of the brick is a quite strong one. Imperfection is inviting and the match between the two is satisfying. Asymmetry as well. It has a little bit of cheek, but I'd say that more importantly it has a very joyful expression. The night on the scotch-patterned couchThen, when I see the shapes, I appreciate the similarity of the two, the urgency to clearly read something, the patience of shadows, another smart point is the tracking on both words. (If you will). Afterwards, I felt a bit bad about it, trying to be big and scream loud, or maybe they are very stressed out or in a sauna. Struggling to secure a place. Letters have feet. One is currently unemployed. The bell rang, I feel like I am floating in a bowl with breakfast cereals. Notifying the beginning of their first language lesson, disappointed probably; the letters walked away. Maybe it actually has meaning. Makes me feel satisfied. Compared to this one, the previous design is almost a bit rigid. This one doesn't really give a fuck. Celebratory drinks and a rice cooker. But not completely, so it still has it’s character which I find is really good. A soft serenade. It’s easy to forget. Maybe I get a little too annoyed somehow they didn’t agree more often than not with the consequence of a dreadful kerning – they are seriously sweet and stuff – I have never laughed that much in front of myself. an equal spot light but on different grounds. What would be this ‘D’ if it didn’t have its ear, the museum ought to have a logo, characters are closer to each other I find my way to the counter. I find perhaps most appealing. It all seems like a breathless race sitting and elaborating on fire type online artists avoid any connotation. Yo be cool! It’s probably a ghostboy. The risk of not being easily legible or recognizable for everyone something went away the heavy scan light, it doesn’t need your approval. I wouldn't like it nearly as much. The type retains its essence in an almost completely abstracted state themselves as themselves. Sometimes shoulders, feet and arms had to get amputated to facilitate connections between the c(h)aracters. It's been a great day at school. Text that I can't read (turned 90°). And how, at the same time, can one feel repulsion, a white jacket with a neck ruff and large buttons down the front, loose trousers, and a hat with a wide, floppy brim. Balancing its massive body, with some personality. Typefaces felt stiff until now. Somehow like a Nike Logo. It could fit in a real branding campaign I am forced to take a step back, but hey listen. I know that we all have our little thing for owls, the question is, does the heightening of their image quality happen at the expense of their ability to communicate? I didn’t bother to make anything legible. Maybe this diagonal composition is not really my taste, there is a calculus, logics, some sort of mathematics to the curves which show the strand to be a series of simple, smooth. They seem to struggle with their expression, memories of family dinners, can be used as a weapon. So I don’t look that serious. Catch a good look at it. Curvy beaks of the 27 for not being part of the 27 club, a grid could be drawn from it. “What you need to know”. But I mean, if you go for it full force, you gotta balance things out a little. It’s all about relations. Between forms you know. Not only his speed. I like that I don’t know who made it. Becoming a proper hunting dog. I would wear that smile. Don’t expect anything back though. Ja, und? I don’t care. Do angels have a working hours? Don’t miss out. Up and down, Down and up. revealing what is behind it next to one another there is tension in this fragile letter In this case I find it funny set in that place I can read when I pay attention. They left. Disappointed. I never considered self-help as a valuable kind of help but this time I decided to give it a shot. Is it ever solid? It was too slow. A bit funny. Clumsy. And small. It is ornamental, yet simple, [could stand as a memorial to the accident], all in one. There is no horizon, ever since I was a kid, almost nothing is layered consequences after maybe part of a forgotten inner alphabet. Stop smiling. They left the earthquake retro, yet surprising, a pixelated surface. Didn’t like the confusion the heaviness is broken by the curves, a fixed size, it is not fluid, its slender, rigid, condensed look, its rigorous informality, poetic, yet kitsch. I don’t think it sounded very polite. Stick around for quite some time. A vertical read, – a collection of lids from various jars and bottles – now seen, I went a bit far to the totality. I think it is a monospace. Going to the gym and a french bulldog. He found himself quite attractive, new facial expressions, how he stretches his neck, adjusted manually something authentically intriguing, it reminded me of the pine-forests, their shape has changed; it has lost its geometrical shape and became crooked. This is the star of the evening. “Boo! Aaaa!”. This one is not at all connected to the brand’s aesthetics, a car-magazine from the 80’s, or like the matrix, a particular type of pastry sheet, usually filled with mashed potatoes and eggs, to which one can add meat, tuna, cheese and different spices, depending on the preferences of the guests. What I like about it? Cutting the apexes and loops. Transmitting its hollow message to the viewer. "There you are. What took you so long?" – the symbolic of the brick is a quite strong one. Imperfection is inviting and the match between the two is satisfying. Asymmetry as well. It has a little bit of cheek, but I'd say that more importantly it has a very joyful expression. The night on the scotch-patterned couchThen, when I see the shapes, I appreciate the similarity of the two, the urgency to clearly read something, the patience of shadows, another smart point is the tracking on both words. (If you will). Afterwards, I felt a bit bad about it, trying to be big and scream loud, or maybe they are very stressed out or in a sauna. Struggling to secure a place. Letters have feet. One is currently unemployed. The bell rang, I feel like I am floating in a bowl with breakfast cereals. Notifying the beginning of their first language lesson, disappointed probably; the letters walked away. Maybe it actually has meaning. Makes me feel satisfied. Compared to this one, the previous design is almost a bit rigid. This one doesn't really give a fuck. Celebratory drinks and a rice cooker. But not completely, so it still has it’s character which I find is really good. A soft serenade. It’s easy to forget. Maybe I get a little too annoyed somehow they didn’t agree more often than not with the consequence of a dreadful kerning – they are seriously sweet and stuff – I have never laughed that much in front of myself. an equal spot light but on different grounds. What would be this ‘D’ if it didn’t have its ear, the museum ought to have a logo, characters are closer to each other I find my way to the counter. I find perhaps most appealing. It all seems like a breathless race sitting and elaborating on fire type online artists avoid any connotation. Yo be cool! It’s probably a ghostboy. The risk of not being easily legible or recognizable for everyone something went away the heavy scan light, it doesn’t need your approval. I wouldn't like it nearly as much. The type retains its essence in an almost completely abstracted state themselves as themselves. Sometimes shoulders, feet and arms had to get amputated to facilitate connections between the c(h)aracters. It's been a great day at school. Text that I can't read (turned 90°). And how, at the same time, can one feel repulsion, a white jacket with a neck ruff and large buttons down the front, loose trousers, and a hat with a wide, floppy brim. Balancing its massive body, with some personality. Typefaces felt stiff until now. Somehow like a Nike Logo. It could fit in a real branding campaign I am forced to take a step back, but hey listen. I know that we all have our little thing for owls, the question is, does the heightening of their image quality happen at the expense of their ability to communicate? I didn’t bother to make anything legible. Maybe this diagonal composition is not really my taste, there is a calculus, logics, some sort of mathematics to the curves which show the strand to be a series of simple, smooth. They seem to struggle with their expression, memories of family dinners, can be used as a weapon. So I don’t look that serious. Catch a good look at it. Curvy beaks of the 27 for not being part of the 27 club, a grid could be drawn from it. “What you need to know”. But I mean, if you go for it full force, you gotta balance things out a little. It’s all about relations. Between forms you know. Not only his speed. I like that I don’t know who made it. Becoming a proper hunting dog. I would wear that smile. Don’t expect anything back though. Ja, und? I don’t care. Do angels have a working hours? Don’t miss out. Up and down, Down and up. revealing what is behind it next to one another there is tension in this fragile letter In this case I find it funny set in that place I can read when I pay attention. They left. Disappointed. I never considered self-help as a valuable kind of help but this time I decided to give it a shot. Is it ever solid? It was too slow. A bit funny. Clumsy. And small. It is ornamental, yet simple, [could stand as a memorial to the accident], all in one. There is no horizon, ever since I was a kid, almost nothing is layered consequences after maybe part of a forgotten inner alphabet. Stop smiling. They left the earthquake retro, yet surprising, a pixelated surface. Didn’t like the confusion the heaviness is broken by the curves, a fixed size, it is not fluid, its slender, rigid, condensed look, its rigorous informality, poetic, yet kitsch. I don’t think it sounded very polite. Stick around for quite some time. A vertical read, – a collection of lids from various jars and bottles – now seen, I went a bit far to the totality. I think it is a monospace. Going to the gym and a french bulldog. He found himself quite attractive, new facial expressions, how he stretches his neck, adjusted manually something authentically intriguing, it reminded me of the pine-forests, their shape has changed; it has lost its geometrical shape and became crooked. This is the star of the evening. “Boo! Aaaa!”. This one is not at all connected to the brand’s aesthetics, a car-magazine from the 80’s, or like the matrix, a particular type of pastry sheet, usually filled with mashed potatoes and eggs, to which one can add meat, tuna, cheese and different spices, depending on the preferences of the guests. What I like about it? Cutting the apexes and loops. Transmitting its hollow message to the viewer. "There you are. What took you so long?" – the symbolic of the brick is a quite strong one.

Collages realised by Jim, Wieke, Ossip, Alix, Giulia, Swani, Etienne, Mona, Eleonora, Young Jin, Lisa, Klara, Helmer, Mark Emil, Johannes, Maxime, Vica, Joyce, Filip, Chloé, Camillia, Brigita, Samuel, Michelle from the Graphic Design department at the Gerrit Rietveld Academie.